What if the worlde were mayde of thicke starres?
Hello and welcome to my online journal. I've been sent here by a daimon to write what thoughts I might be having at any particular moment of the day, though I evade the task when I can.
About Me
- Name: Jackie
- Location: Berkeley, California, United States
A 22-year old girl full of fancy, admiring people and things with a passion hidden behind glass.
Wednesday, March 31, 2010
I found the perfect metaphor for my life: I am a collection of scraps of fine linens... all that is needed is for the vestment to be sewn together.
Sunday, January 24, 2010
Conversations in a Dream
I found Life after exiting a portal in the air. The thing struck me oddly and so I tried to return back through the portal, but by this time, it had already disappeared. It seemed the only to do was continue on. I met there two friends - Octavia and Shelli, who wanted to help me on my way. To this I agreed, for I saw at once that Life would be a venture best not made alone.
*
Octavia: Life is like a brightening cloud - we stand in the billowy center of this cumulous and slowly discover the things around us. They take shape and take on a lustre suddenly new - suddenly we notice the figures around us in their genuine outlines. And yet it never dawned on us before that these figures had such outlines, no, we only saw the colours of them and let them have the shapes we gave them in our minds.
*
Shelli: There was a time on earth when the mornings sang. Those days one could smell oneself as in a earthly womb, overgrown and rich with everything real. In fact, nothing was unreal - that is the essential thing to remember about this time. There was never a question, never a doubt about the things given to your through your senses and your mind. It all flourished before you, and you simply could not help but be enraptured by it.
Jackie: But where has that time gone?
Shelli: Why ask - 'where was that time gone?' Isn't it enough to just remember the time, let it dominate your imagination, while others carry out their plans to buy a new collar for the dog or to wink at the next spectacle alive?
*
Shelli: There is no remedy for those whose hearts are wounded but silence and shadow.
Octavia: That's a problem of any unfree existence - one cannot have these silences and shadows unless one is free.
*
Jackie: I'm tired of this fake optimism I see everywhere. Where did all of our critical resentment go? Have we just become too daunted by how much there is in the world to be critical of, and so decided just to be accepting and friendly towards it all? Or was it just because we realized that most people aren't really bad people, they usually have very precise reasons for behaving the way they do that could likely be found if one had a videotape of their entire lives? It seems in either case, we've adopted that kind of 'niceness' which only makes us feel good, but which does not actually help anyone.
Octavia: That reminds me - the best way to behave yourself is to pretend that you are being filmed. We too often look through our own eyes at the world, and thus colour it with everything that is individual, and therefore irrational, in us (what is insanity but a kind of excessive individualism?). The video-tape can be private - only viewed by ourselves, but at least it would then represent the ideal image we would want to have preserved of ourselves, and not that unideal thing we usually carry around with ourselves, unthinking.
*
Jackie: What is fun? Thinking, reflecting, questioning. Those are the only three things I could really call 'fun'. Everything else I just do to pass the time away...
*
Jackie: What if we are only able to love ourselves, and therefore we only love people to the degree that they resemble ourselves? Do I hate the racist because of the bigotry of his views, or do I hate him because of this sheer distance from what I am?
Octavia: Love is a rock drawn from no quarry.
*
Jackie: I like profound people - there's more room inside them to go fishing.
*
Jackie: Anyone who prefers a fine meal over a fine book is more animal than human.
*
Jackie: Is there anything more satisfying than the 'I told you so" feeling? My only regret about there not being an afterlife is that I won't be able to tell all the Christians and Muslims, "Look, I told you so! There's no afterlife!"
Shelli: The only way to prove it would be for us all to die - and yet death is that state of being in which there is nothing left to prove.
*
Octavia: Most people don't live with enough awareness about life to recognize how intense it is.
Jackie: For some reason, I intensely loathe insularity. As my friend Jane wrote me and expressed the same feelings - I want to experience absolutely everything. I wouldn't be treating life with the same respect it deserves if I didn't do this. This means being able to see things from as many perspectives as possible and also means being as knowledgeable as possible.
Shelli: The problem is that there is a lot of useless information out there and a lot of banal subcultures that people participate in. _______ is about as relevant as any pulp romance novel that will be out-of-print in 20 years - so why learn about him? (He's so not worth learning about, I'm not even going to say his name).
Octavia: As long as you are always learning, you shouldn't worry if you are learning about the right things. Chances are, you and the people you care about most will find some way to meet in the middle.
*
Shelli: Sometimes, the greater dishonour we can do to someone is to take them seriously, for this implies that their way of life has been based on careful reflection, thought, and a decidedness of the will, when the reality is more likely that they are showing you only half a shadow of the kind of person they would really like to be.
Octavia: It's in the same way that we can only learn to love our parents after our teenage years if we cease to take them seriously as rational human beings and accept the fact that they grant themselves a sense of significance by playing this role of 'parent'.
*
Jackie: I'm like the female Nietzsche, except in some ways I am more Nietzchean than he - it only took me one semester's worth of academia to realize what bullshit it is.
*
Octavia: Life is like a brightening cloud - we stand in the billowy center of this cumulous and slowly discover the things around us. They take shape and take on a lustre suddenly new - suddenly we notice the figures around us in their genuine outlines. And yet it never dawned on us before that these figures had such outlines, no, we only saw the colours of them and let them have the shapes we gave them in our minds.
*
Shelli: There was a time on earth when the mornings sang. Those days one could smell oneself as in a earthly womb, overgrown and rich with everything real. In fact, nothing was unreal - that is the essential thing to remember about this time. There was never a question, never a doubt about the things given to your through your senses and your mind. It all flourished before you, and you simply could not help but be enraptured by it.
Jackie: But where has that time gone?
Shelli: Why ask - 'where was that time gone?' Isn't it enough to just remember the time, let it dominate your imagination, while others carry out their plans to buy a new collar for the dog or to wink at the next spectacle alive?
*
Shelli: There is no remedy for those whose hearts are wounded but silence and shadow.
Octavia: That's a problem of any unfree existence - one cannot have these silences and shadows unless one is free.
*
Jackie: I'm tired of this fake optimism I see everywhere. Where did all of our critical resentment go? Have we just become too daunted by how much there is in the world to be critical of, and so decided just to be accepting and friendly towards it all? Or was it just because we realized that most people aren't really bad people, they usually have very precise reasons for behaving the way they do that could likely be found if one had a videotape of their entire lives? It seems in either case, we've adopted that kind of 'niceness' which only makes us feel good, but which does not actually help anyone.
Octavia: That reminds me - the best way to behave yourself is to pretend that you are being filmed. We too often look through our own eyes at the world, and thus colour it with everything that is individual, and therefore irrational, in us (what is insanity but a kind of excessive individualism?). The video-tape can be private - only viewed by ourselves, but at least it would then represent the ideal image we would want to have preserved of ourselves, and not that unideal thing we usually carry around with ourselves, unthinking.
*
Jackie: What is fun? Thinking, reflecting, questioning. Those are the only three things I could really call 'fun'. Everything else I just do to pass the time away...
*
Jackie: What if we are only able to love ourselves, and therefore we only love people to the degree that they resemble ourselves? Do I hate the racist because of the bigotry of his views, or do I hate him because of this sheer distance from what I am?
Octavia: Love is a rock drawn from no quarry.
*
Jackie: I like profound people - there's more room inside them to go fishing.
*
Jackie: Anyone who prefers a fine meal over a fine book is more animal than human.
*
Jackie: Is there anything more satisfying than the 'I told you so" feeling? My only regret about there not being an afterlife is that I won't be able to tell all the Christians and Muslims, "Look, I told you so! There's no afterlife!"
Shelli: The only way to prove it would be for us all to die - and yet death is that state of being in which there is nothing left to prove.
*
Octavia: Most people don't live with enough awareness about life to recognize how intense it is.
Jackie: For some reason, I intensely loathe insularity. As my friend Jane wrote me and expressed the same feelings - I want to experience absolutely everything. I wouldn't be treating life with the same respect it deserves if I didn't do this. This means being able to see things from as many perspectives as possible and also means being as knowledgeable as possible.
Shelli: The problem is that there is a lot of useless information out there and a lot of banal subcultures that people participate in. _______ is about as relevant as any pulp romance novel that will be out-of-print in 20 years - so why learn about him? (He's so not worth learning about, I'm not even going to say his name).
Octavia: As long as you are always learning, you shouldn't worry if you are learning about the right things. Chances are, you and the people you care about most will find some way to meet in the middle.
*
Shelli: Sometimes, the greater dishonour we can do to someone is to take them seriously, for this implies that their way of life has been based on careful reflection, thought, and a decidedness of the will, when the reality is more likely that they are showing you only half a shadow of the kind of person they would really like to be.
Octavia: It's in the same way that we can only learn to love our parents after our teenage years if we cease to take them seriously as rational human beings and accept the fact that they grant themselves a sense of significance by playing this role of 'parent'.
*
Jackie: I'm like the female Nietzsche, except in some ways I am more Nietzchean than he - it only took me one semester's worth of academia to realize what bullshit it is.
Thursday, November 26, 2009
Tuesday, November 10, 2009
Poem Pair
[It's been a while since I wrote a poem - I wrote a few in my graduate class today and it felt really good because that class had started to become something of a pedant's game this late in the semester...]
A Figure on the Heights
She touched the mountain air
with why, with how, unknown
feelings in her veins. We wished
we could understand her beauty
but it does not know how
to show itself. Music played
like always it does, like it
does always, like it always
does, and there she was granted
a wish: that no body would ever
feel disease again, that breathing
would ease, that night's magic
would grow serpentine through
the streets until it extended
thru the day, bright lit.
Granpa
Forlorn old man ached on the couch
(he did not know what to do)
his poppers burned, his girdle feened,
life ebbed, so and so, with each cough
something was lost by him (he
lost something) and the gramophone
played an old jazz tune
from the 1930s or 40s, remade
by a guy and his band in the 80s.
That's how things went down.
Quieta non movere, we whispered
at the dusk of the day
when the cigarette had burned out
and the reruns ended and we hauled
him to the bedroom, to sleep.
A Figure on the Heights
She touched the mountain air
with why, with how, unknown
feelings in her veins. We wished
we could understand her beauty
but it does not know how
to show itself. Music played
like always it does, like it
does always, like it always
does, and there she was granted
a wish: that no body would ever
feel disease again, that breathing
would ease, that night's magic
would grow serpentine through
the streets until it extended
thru the day, bright lit.
Granpa
Forlorn old man ached on the couch
(he did not know what to do)
his poppers burned, his girdle feened,
life ebbed, so and so, with each cough
something was lost by him (he
lost something) and the gramophone
played an old jazz tune
from the 1930s or 40s, remade
by a guy and his band in the 80s.
That's how things went down.
Quieta non movere, we whispered
at the dusk of the day
when the cigarette had burned out
and the reruns ended and we hauled
him to the bedroom, to sleep.
Performance of Love's Labour's Lost
[I saw a performance of Love's Labour's Lost on Friday on which I have to write a one to two page essay for class. I really hate doing academically-oriented essay (which is to say, essays written for an 'objective' or 'disinterested' audience) mostly because it always feels so artificial. So I am going to write about it as if it were a blog post and hope that I have enough words to print out tomorrow morning and turn in.]
When reading the text of Love's Labour's Lost, we expect to discover its brilliance onstage flashing most strongly in sparks of wit, lightning repartees, and bright conceits of thought that play out in a bounty of rhymes not limited to the concluding couplet we are so used to in Shakespeare. Unfortunately, this exuberance showed itself on stage not quite as intelligibly on the night of November the 6th, 2009 as it would have for the Renaissance audience of Shakespeare's day. Half of the audience's laughter at hearing Anthony Dull's reply to Holofernes' "Via, goodman Dull! Thou hast spoken no word all this while.": "Nor understood none neither, sir." likely erupted in the relief of identification with the plain-speaking man's bafflement. The players and the director were not at all insensitive to this likelihood, however, and they kept the onstage action vivid, ebullient, and quite zany (though perhaps at times zany only for the sake of slapstick zaniness). I really wished that I had had more time to read and get to know the text well, because there are many hundreds of instances where even the best actor could not have given complete lucidness to his or her lines unless she had a projector screen with footnotes showing gloss for every obscure Elizabethan joke, historical reference, and archaic and/or latinate word. Music and dancing were essential performance elements that sustained the life of the play and helped to remind us of how central that kind of pageantry was to the company that Shakespeare worked with. That interactions between the characters and the musicians could become funny is wonderful enough for the overall
When reading the text of Love's Labour's Lost, we expect to discover its brilliance onstage flashing most strongly in sparks of wit, lightning repartees, and bright conceits of thought that play out in a bounty of rhymes not limited to the concluding couplet we are so used to in Shakespeare. Unfortunately, this exuberance showed itself on stage not quite as intelligibly on the night of November the 6th, 2009 as it would have for the Renaissance audience of Shakespeare's day. Half of the audience's laughter at hearing Anthony Dull's reply to Holofernes' "Via, goodman Dull! Thou hast spoken no word all this while.": "Nor understood none neither, sir." likely erupted in the relief of identification with the plain-speaking man's bafflement. The players and the director were not at all insensitive to this likelihood, however, and they kept the onstage action vivid, ebullient, and quite zany (though perhaps at times zany only for the sake of slapstick zaniness). I really wished that I had had more time to read and get to know the text well, because there are many hundreds of instances where even the best actor could not have given complete lucidness to his or her lines unless she had a projector screen with footnotes showing gloss for every obscure Elizabethan joke, historical reference, and archaic and/or latinate word. Music and dancing were essential performance elements that sustained the life of the play and helped to remind us of how central that kind of pageantry was to the company that Shakespeare worked with. That interactions between the characters and the musicians could become funny is wonderful enough for the overall
I was surprised at how hard it was for me to comprehend Biron's accent, which at times seemed thicker than Don Armado's assumed Spanish accent.
(excepting Boyet's rather tedious verse, which I am at a loss to explain Shakespeare's justification for, unless we accept the idea that he is supposed to be an older character whose love-flame has long been extinguished).
Monday, November 9, 2009
Small Thoughts
Government is not the problem - idiots are.
People say you don't need intelligence to know god(s). This seems ridiculous to me, because I understand intelligence to be the ability to perceive truths. There are many different types of intelligences, just as there are many different types of truths. Empirical truths, mathematical truths, moral truths, artistic truths... etc. The question for religious people is: what kind of truth is god?
The worst sin you can commit in this life is to be boring, which is to say, sinless.
People say you don't need intelligence to know god(s). This seems ridiculous to me, because I understand intelligence to be the ability to perceive truths. There are many different types of intelligences, just as there are many different types of truths. Empirical truths, mathematical truths, moral truths, artistic truths... etc. The question for religious people is: what kind of truth is god?
The worst sin you can commit in this life is to be boring, which is to say, sinless.
Thursday, October 29, 2009
Some Theses on Law...
The problem of law is one of pure practicality - no one is willing to follow the law when it comes to a practical choice between following the law and doing something one perceives as good for oneself or one's loved ones. Who among us would not run a red light when it was a matter of getting our child to the hospital as quickly as possible?
The problem of law resides in its implacability, for there is no law so universal that one cannot find a situation where one could find an exception to it, and so there are no laws 'as given' or 'as such' that exist indubitably and throughout all time.
The problem of law is therefore one of recognition - how do we recognize the right thing to do, if what is right changes according to the situation? Lying is wrong UNTIL the Nazi officer comes to our door and asks if we have any Jews hiding in the house.
The problem of law resides not so much in particular actions, but in styles of living. One could never violate the laws of one's community and yet still be a bad person, for how does one know that one's whole community is violating a law greater than the laws it has created?
***
Utopians (like myself) assume that every problem has its root in psychology. Fix the conditions (poverty, war) that give rise to trauma and you will find that all other ills of society - fundamentalism, intolerance, hatred, greed, etc. - will disappear. Yet this thinking may overlook something very important - no matter how perfect you make the social conditions of life, to where there is no pain, no hunger, and no loneliness, you will still not eradicate banality or stupidity.
Is all stupidity trauma? Is all banality trauma? That would be absurd - I would be asserting that people are stupid and/or banal in proportion to the amount of suffering they have had in their lives. That is palpably not true... or is it? I would have not thought it was true until I heard the stories of many of my classmates, who I assumed were stupid (that is, unthinking) simply because that's how they were, but then I realized that the conditions of their family lives were so bad that they simply didn't have time to think, because they had to deal with other more pressing things. (I suppose this interpretation is based on Maslow's hierarchy of needs - these people are not able to achieve self-actualization because they have not had all their more basic needs fulfilled).
Let's look at what is required in order to be non-banal:
Hmmmmmmmm, is all I have to say, for now...
On the Word "Value"
The moment I come to consider something valuable is the moment when that something is lost to me.
Saturday, October 24, 2009
I'm Still Alive...
Though barely.
I thought I wrote something on paper this week that I wanted to type on here, but apparently I did not.
There is more to life than this (feed me god)
(so it was this poem after all - so I will type it up after all -)
I am grateful for the life god has given me
Blesséd be the name of the Lord.
(I'll write myself into ecstasy yet!)
Let the beauty of the world not be surmounted
by its ugliness.
Blesséd be the name of the Lord.
If cataracts were furled behind my ears,
and everything became a noiseless grandeur...
what if? And what if...?
When the plaintive heart cried out,
it blew smoke into the eyes
of all carousers.
1,2,3,4,1,2,3
Blesséd be the name of the Lord.
If I could reach you here
with these small words,
let me say something that would change your life...
My father, unfortunately, groaned,
and then I had to deal with that
for he was fated to exist in a binary world
where fires were lit on one side
and testicles bit and bleeding on the other.
It was a torpid world -
culled out of nothing, remaining in duress,
with white lights hanging around the edge of it,
like Christmas lights.
If we could ever become one
(and that is the hope of our nation)
That would be a circumstance that defies
explanation, makes the world not so apparent.
In life, there are two choices,
party, or faction,
merit or commendation,
brains or betrayal,
beating or commodity,
croaking or floating,
being missed or being corrupted,
being flattered or being deposed,
hanging fires or hanging hearts,
mutilating the breeze or counselling death.
I bought my love a blood-letter,
spelling Q, E, D, F, A, K, E
musing out my heart into excess,
and dying for the fixation of it.
The problem was that we both met one another in a car crash, where either of our respective partners had died, me my boyfriend, he his girlfriend, and so we grieved and mourned and went to trial and testified against the motherfucking drunk who killed them and held the funeral and held the dinner-dance party at our houses and cried in the attic and he touched my hand and said I reminded him of her and then he kissed me and held onto my dress and I knew not what not what not what it was that was making me feel this way but that I wanted him more badly than anything and worked myself to know him better but we sang darkly and no he didn't know the same songs, but no, he couldn't see the same constellations, no
lechery lechery, let it all be known,
my sanity remains in dregs,
I worked in metals, forged them
to make clean silverware for the maidens,
for the maidens, I loved, oh...
I thought I wrote something on paper this week that I wanted to type on here, but apparently I did not.
There is more to life than this (feed me god)
(so it was this poem after all - so I will type it up after all -)
I am grateful for the life god has given me
Blesséd be the name of the Lord.
(I'll write myself into ecstasy yet!)
Let the beauty of the world not be surmounted
by its ugliness.
Blesséd be the name of the Lord.
If cataracts were furled behind my ears,
and everything became a noiseless grandeur...
what if? And what if...?
When the plaintive heart cried out,
it blew smoke into the eyes
of all carousers.
1,2,3,4,1,2,3
Blesséd be the name of the Lord.
If I could reach you here
with these small words,
let me say something that would change your life...
My father, unfortunately, groaned,
and then I had to deal with that
for he was fated to exist in a binary world
where fires were lit on one side
and testicles bit and bleeding on the other.
It was a torpid world -
culled out of nothing, remaining in duress,
with white lights hanging around the edge of it,
like Christmas lights.
If we could ever become one
(and that is the hope of our nation)
That would be a circumstance that defies
explanation, makes the world not so apparent.
In life, there are two choices,
party, or faction,
merit or commendation,
brains or betrayal,
beating or commodity,
croaking or floating,
being missed or being corrupted,
being flattered or being deposed,
hanging fires or hanging hearts,
mutilating the breeze or counselling death.
I bought my love a blood-letter,
spelling Q, E, D, F, A, K, E
musing out my heart into excess,
and dying for the fixation of it.
The problem was that we both met one another in a car crash, where either of our respective partners had died, me my boyfriend, he his girlfriend, and so we grieved and mourned and went to trial and testified against the motherfucking drunk who killed them and held the funeral and held the dinner-dance party at our houses and cried in the attic and he touched my hand and said I reminded him of her and then he kissed me and held onto my dress and I knew not what not what not what it was that was making me feel this way but that I wanted him more badly than anything and worked myself to know him better but we sang darkly and no he didn't know the same songs, but no, he couldn't see the same constellations, no
lechery lechery, let it all be known,
my sanity remains in dregs,
I worked in metals, forged them
to make clean silverware for the maidens,
for the maidens, I loved, oh...
Sunday, October 18, 2009
My Heart
Terrible, terrible things we discover about the world.
I don't even know if I want to mention them - I hesitate, because I hate to destroy someone's idea of what the world is like.
Can someone live their whole lives without realizing the terrible things that happen in the world?
I don't know how people make it through life... one really admires resilience, but perhaps resilience is made mostly up of ignorance rather than strength. We move on by ignoring... but what about those whose nature it is not to ignore, to be unable to ignore?
I was at Walgreen's today, thinking of buying some Q-tips, because I've run out. Well, I decided against it, because it seems like a waste of paper and packaging to create something that is really a luxury (and because they cost $5 that I'd rather use on food). On the way out of the store, I saw People magazine showing the picture of a girl who had been kidnapped 18 years ago and had only now been discovered.
There were many disturbing things about this story and other related stories. One thing I must mention is that I fucking hate police. In both cases that I looked at, these bastards did not follow leads that may have led to the discovery of these victims earlier. In one case, the monster who did the crime was actually on fucking parole FOR RAPE AND KIDNAPPING ALREADY.
I'm a liberal in almost every way imaginable - but I cannot help but have this lingering sense that the judicial system is ridiculous. Police seem to always hurt those who don't need to be punished and do nothing to help those who have been hurt. It's fucking ridiculous. I know there is no real solution, but it really boils my blood to see anyone (I mean lawyers) coming to the defense of people like these, while most of the help that was rallied up for the victims was done by the families and communities themselves.
Isn't there some balance between the arbitrary beheadings of Elizabethan England and the excessively long and bureaucratic trials we have today?
You know why I don't think it's worse for an innocent person to be punished than for someone who is guilty not to be punished? Because we all likely deserve punishment and because we would all be horrible if the circumstances made us ripe for it. Hamlet: "Use every man after his desert, and who shall 'scape whipping?" Indeed. Not only that, I think it's worse to let a guilty person go free and have him commit another crime than to unjustly sentence an innocent person. Why? Because in the former case there are two or more victims, plus all the relationships of those victims.
I know this rant is being made completely out of my emotions, but it feels good to write about this in this way. These outrages of the world must have some target... so long as there are criminals out there, I can vent upon them. I hate them, hate them, hate them. I hate human nature, I hate human defectiveness.
Well, I guess I should be doing something about it rather than ranting? I could never become a prosecuting trial lawyer - I don't have the emotional stamina for that kind of thing. But I could at least work towards creating a better social world so that every single person is acknowledged and cared for, so that we look after the people who are unstable and unfit for society, but more importantly, give everyone the means to live a fulfilled life.
Oh god, how hard this world is...
And I call out because... one wants a god, one wants a solution to this. One does not want it all to be left to human hands, for then it admits of the possibility of failure, and what mind can bear that?
Perhaps I suffer unnecessarily. Perhaps the people who are victims suffer less than I do, because they are not so disposed to contemplating and internalizing. I don't think that's true. I think there are people who suffer a lot more than I... though I also don't doubt that I would suffer greatly if anything horrible ever happened to me or my loved ones...
One wants to be good, even if others are so sick and so angry.
One wants to show love, even if nothing is guaranteed.
I... I love you all. I love you all so deeply.
I don't even know if I want to mention them - I hesitate, because I hate to destroy someone's idea of what the world is like.
Can someone live their whole lives without realizing the terrible things that happen in the world?
I don't know how people make it through life... one really admires resilience, but perhaps resilience is made mostly up of ignorance rather than strength. We move on by ignoring... but what about those whose nature it is not to ignore, to be unable to ignore?
I was at Walgreen's today, thinking of buying some Q-tips, because I've run out. Well, I decided against it, because it seems like a waste of paper and packaging to create something that is really a luxury (and because they cost $5 that I'd rather use on food). On the way out of the store, I saw People magazine showing the picture of a girl who had been kidnapped 18 years ago and had only now been discovered.
There were many disturbing things about this story and other related stories. One thing I must mention is that I fucking hate police. In both cases that I looked at, these bastards did not follow leads that may have led to the discovery of these victims earlier. In one case, the monster who did the crime was actually on fucking parole FOR RAPE AND KIDNAPPING ALREADY.
I'm a liberal in almost every way imaginable - but I cannot help but have this lingering sense that the judicial system is ridiculous. Police seem to always hurt those who don't need to be punished and do nothing to help those who have been hurt. It's fucking ridiculous. I know there is no real solution, but it really boils my blood to see anyone (I mean lawyers) coming to the defense of people like these, while most of the help that was rallied up for the victims was done by the families and communities themselves.
Isn't there some balance between the arbitrary beheadings of Elizabethan England and the excessively long and bureaucratic trials we have today?
You know why I don't think it's worse for an innocent person to be punished than for someone who is guilty not to be punished? Because we all likely deserve punishment and because we would all be horrible if the circumstances made us ripe for it. Hamlet: "Use every man after his desert, and who shall 'scape whipping?" Indeed. Not only that, I think it's worse to let a guilty person go free and have him commit another crime than to unjustly sentence an innocent person. Why? Because in the former case there are two or more victims, plus all the relationships of those victims.
I know this rant is being made completely out of my emotions, but it feels good to write about this in this way. These outrages of the world must have some target... so long as there are criminals out there, I can vent upon them. I hate them, hate them, hate them. I hate human nature, I hate human defectiveness.
Well, I guess I should be doing something about it rather than ranting? I could never become a prosecuting trial lawyer - I don't have the emotional stamina for that kind of thing. But I could at least work towards creating a better social world so that every single person is acknowledged and cared for, so that we look after the people who are unstable and unfit for society, but more importantly, give everyone the means to live a fulfilled life.
Oh god, how hard this world is...
And I call out because... one wants a god, one wants a solution to this. One does not want it all to be left to human hands, for then it admits of the possibility of failure, and what mind can bear that?
Perhaps I suffer unnecessarily. Perhaps the people who are victims suffer less than I do, because they are not so disposed to contemplating and internalizing. I don't think that's true. I think there are people who suffer a lot more than I... though I also don't doubt that I would suffer greatly if anything horrible ever happened to me or my loved ones...
One wants to be good, even if others are so sick and so angry.
One wants to show love, even if nothing is guaranteed.
I... I love you all. I love you all so deeply.
Friday, October 16, 2009
On a Day in Which I Would Have Preferred Not to Die
The title says all, for it was a thoughtless and meagre day, in which nothing was extraordinary. I knew when I awoke today that the day would be like this... try as I might, I could do nothing against it, until now, at 11:40 pm, when I decided to read a random Emily Dickinson poem. She's a poet who can expel you immediately away from the ordinary and into the wondrous.
The Grass so little has to do,
A Sphere of simple Green -
With only Butterflies, to brood,
And Bees, to entertain -
And stir all day to pretty tunes
The Breezes fetch along,
And hold the Sunshine, in it's lap
And bow to everything,
And thread the Dews, all night, like Pearl,
And make itself so fine
A Duchess, were too common
For such a noticing,
And even when it die, to pass
In odors so divine -
As lowly spices, laid to sleep -
Or Spikenards perishing -
And then to dwell in Sovreign Barns,
And dream the Days away,
The Grass so little has to do,
I wish I were a Hay -
A few minutes later, I read this poem, quite as perfectly relevant thematically:
Good morning - Midnight -
I'm coming Home -
Day - got tired of Me -
How could I - of Him?
Sunshine was a sweet place -
I liked to stay -
But Morn - didn't want me - now -
So - Good night - Day!
I can look - can't I -
When the East is Red?
The Hills - have a way - then -
That puts the Heart - abroad -
You - are no so fair - Midnight -
I chose - Day -
But - please take a little Girl -
He turned away!
The Grass so little has to do,
A Sphere of simple Green -
With only Butterflies, to brood,
And Bees, to entertain -
And stir all day to pretty tunes
The Breezes fetch along,
And hold the Sunshine, in it's lap
And bow to everything,
And thread the Dews, all night, like Pearl,
And make itself so fine
A Duchess, were too common
For such a noticing,
And even when it die, to pass
In odors so divine -
As lowly spices, laid to sleep -
Or Spikenards perishing -
And then to dwell in Sovreign Barns,
And dream the Days away,
The Grass so little has to do,
I wish I were a Hay -
A few minutes later, I read this poem, quite as perfectly relevant thematically:
Good morning - Midnight -
I'm coming Home -
Day - got tired of Me -
How could I - of Him?
Sunshine was a sweet place -
I liked to stay -
But Morn - didn't want me - now -
So - Good night - Day!
I can look - can't I -
When the East is Red?
The Hills - have a way - then -
That puts the Heart - abroad -
You - are no so fair - Midnight -
I chose - Day -
But - please take a little Girl -
He turned away!
Thursday, October 15, 2009
Derrida on Ghosts
http://www.youtube.com/watch?v=0nmu3uwqzbI
We have words in our language for a reason. A dangerous thing that happens to overly rationalistic minds is that we want to get rid of all words in our language that don't seem to make sense. For me, this happened once with 'god'. But the better thing to do is to think about words - their origins as well as what changes may have happened over time to these words. Derrida shows this perfectly in this clip when he is asked if he believes in ghosts. To take this question at face-value is simplistic, and I am sure that, a year or so ago, my frame of thinking was such that I would have said 'No, of course not. It's a superstition that grew out of....' and I would go into the cultural reasons why ghosts came about and why modern science has shown that such supernatural phenomena that people usually attribute to ghosts is actually explicable naturalistically.
Yeah yeah yeah, all 'true' enough. But it shuts down thinking rather than opening it up. The better way to answer is the way Derrida does - to say that perhaps this idea of ghosts has been fundamental to people for so long in history not because people before were superstitious and now we are enlightened, but because the very idea of a ghost is that which haunts, and no culture, no matter how advanced, can escape being haunted, can escape distance and intangibility, and moreover, as Derrida points out, modern technology may actually be a new vehicle for the ghost, rather than a way to eliminate its presence.
Fascinating. Thinking should always be creative, or else it only serves to give us a false sense of comfort, a smug knowledgeability that is really just throwing a blanket over the peculiarities and wonders of our world.
We have words in our language for a reason. A dangerous thing that happens to overly rationalistic minds is that we want to get rid of all words in our language that don't seem to make sense. For me, this happened once with 'god'. But the better thing to do is to think about words - their origins as well as what changes may have happened over time to these words. Derrida shows this perfectly in this clip when he is asked if he believes in ghosts. To take this question at face-value is simplistic, and I am sure that, a year or so ago, my frame of thinking was such that I would have said 'No, of course not. It's a superstition that grew out of....' and I would go into the cultural reasons why ghosts came about and why modern science has shown that such supernatural phenomena that people usually attribute to ghosts is actually explicable naturalistically.
Yeah yeah yeah, all 'true' enough. But it shuts down thinking rather than opening it up. The better way to answer is the way Derrida does - to say that perhaps this idea of ghosts has been fundamental to people for so long in history not because people before were superstitious and now we are enlightened, but because the very idea of a ghost is that which haunts, and no culture, no matter how advanced, can escape being haunted, can escape distance and intangibility, and moreover, as Derrida points out, modern technology may actually be a new vehicle for the ghost, rather than a way to eliminate its presence.
Fascinating. Thinking should always be creative, or else it only serves to give us a false sense of comfort, a smug knowledgeability that is really just throwing a blanket over the peculiarities and wonders of our world.
Tuesday, October 13, 2009
A Sketch
Catherine had no desire to put on a 'game face', which was what her peers spoke of as the necessary prerequisite for facing the world with any chance of success. Her solution, instead, was to turn away from this farce called life and pursue her own illimitable phantasies.
I met her the other day in her closet, where she held her weekly 'moonshine gumptions', awkward flourishes of her soul that howled rhetorically and whispered conceptually, in which she claimed to slough off, through a difficult and barbaric process of re-appropriation, the casings and coils of the last seven days. This usually involved wearing several different scarves wrapped tightly about her (and not only around the neck), two or three heavily scented candles (perhaps stolen from her mother), and choosing to play eerie music that featured an emphasis on the string section of the orchestra...
[I wrote this while during an orientation for my tutoring job, at the mention of a rap song that talks about putting on one's 'game face' in order to go out in the world. Needless to say, I am inherently disgusted by the idea of any posturing, especially one necessitated by the unfair living conditions that many people in the world are subjected to...]
On Religiosity and Utopia... from Someone Else
Here is a post from Dale Carrico's blog, who is a lecturer at UC Berkeley in the Rhetoric department. As you may have noticed, I was myself struggling with the same two issues of religiosity and utopia in a post earlier this month, but was much more inelegant when trying to speak of it politically...
Thursday, October 8, 2009
Conquering Days
And besides, Hamlet, you had to perish. You were not for life.
You believed in crystal notions, not in human clay.
Always twitching when asleep, as if you hunted chimeras-
Wolfishly you crunched the air only to vomit.
You knew no human thing; you did not know even how to breathe...
Tuesday, October 6, 2009
Animal Time
I don't know when I will have time to write the second part of my post on suicide, since my cold (or flu) left me rather behind in my graduate class where I have to simultaneously read both Kant and Hegel. (I'm still an undergraduate, but I decided to sign up for a graduate class my last semester as a challenge and to see if I might want to actually do this kind of thing for a Phd).
Oi.
So I may as well (since I am trying again to write every day) write out some of my thoughts on what I am studying....
Kant's main point in the critique of teleological judgment is: We humans, being the only species who can reason, are here in the world to give purpose to it. Because of this, we also have an obligation to be ethical.
(Heidegger seems to say - we don't give purpose to the world, purpose is already tied up with our being-in-the-world at all, but this seems to me to say the same thing, only swathed with mysticism. Purposiveness is just a fact of our existence, and to say that thinking of 'purpose' or 'meaning' as lost is a mistake doesn't actually help anyone who feels this way. Just like a religion, Heideggerians require that one believes their vague presuppositions about the world before one can actually be part of their 'school'.)
If everyone was like Kant, the world would be a much safer and happier place..... but that, sadly, is not the case. The next best thing is to ask - how do we secure happiness for the few who really aspire to high things?
The first step is to clean up this logic - happiness should not be the goal, but aspiration itself. A life that is dependent on external things is always subject to doom because it is based on the idea of securing happiness. A life based on high aspirations, however, always has at least the pursuit dwelling within...
Agh! Why does every philosopher always say something so unsatisfying? Perhaps I need to learn not to think on such a large scale... There are no universal solutions --- perhaps even no world-wide solutions. If there are personal solutions - do these need to be sought? One is either lucky, or unlucky.... right??
Oi! Back where we began...
Monday, October 5, 2009
Crazy Kant
The most awkward of philosophers makes me laugh out loud sometimes when he talks about emotionally serious issues with the same convoluted unevenness he uses when talking about conceptual issues:
"If the value that life has for us is assessed merely in terms of what we enjoy (i.e., happiness, the natural purpose of the sum of all our inclinations), then the answer is easy: that value falls below zero."
This is from a footnote (of course) in the Critique of Judgment, Part II (Critique of Teleological Judgment), in the section 83 titled "On the Ultimate Purpose That Nature Has as a Teleological System".
Kant's general point is that when we reflect on nature as a whole, we discover that humanity is the ultimate purpose for which the earth exists. Humans therefore have an obligation to live for this purposiveness and not live simply for their pleasures and their survival, as other animals do.
What is interesting about Kant's argument (so far as I understand it) is that it is not a simplistic reduction to - "God created the world for humans to fulfill a purpose in". Though it seems that Kant believed in God, he does not invoke the idea of God to explain anything in his critical system since God is a "transcendent" idea and cannot be verified by either reason or science. Rather, his understanding of our ultimate purpose has more to do with the plain (empirical) fact that people who pursue lives of pleasure inevitably get drawn down emotionally towards dissipation and ennui. Those who lead lives based on a foundation of purpose (scientists, social activists, artists, etc.) tend to have a sense of wholeness that keeps them harmonious even with the crudities of nature.
Actually, I have no idea if that is what he is saying. It makes some sense though... Our personal integrity is tied up with how we see the integrity or purposiveness of nature as a whole...
Sunday, October 4, 2009
On Suicide, Part 1
I have wanted to write about this topic for a while, but it was Jane who finally gave me the impetus to do so.
Hamlet: To be, or not to be; that is the question:Whether 'tis nobler in the mind to sufferThe slings and arrows of outrageous fortune,Or to take arms against a sea of troubles,And, by opposing, end them. (III.i 58-62)
Compare this to the first two sentences of Camus' "The Myth of Sisyphus":
There is but one truly serious philosophical problem, and that is suicide. Judging whether life is or is not worth living amounts to answering the fundamental question of philosophy.
Under these auspices, we ask: is suicide then primarily an emotional or an intellectual problem? We have hints in the play that Hamlet is naturally contemplative and somewhat dark in personality, notwithstanding the horror of the principle action of the play: having his father murdered by his uncle for political and marital gain.
Many of Hamlet's statements about the world exude a general kind of malaise, and even in the 'To be or not to be' speech, his frustrations are various and do not focus exclusively on the wickedness of his uncle, or even murderers in general. In fact, Hamlet already has thought of suicide before he even knew that his uncle had killed his father in Act 1 Scene 2:
O that this too too sullied flesh would melt,Thaw, and resolve itself into a dew,Or that the Everlasting had not fixedHis canon 'gainst self-slaughter! O God, O God,How weary, stale, flat and unprofitableSeem to me all the uses of this world!Fit on't, ah fie, fie! 'Tis an unweeded gardenThat grows to seed; things rank and gross in naturePossess it merely. (129-137)
When he wants to deride his uncle, his mother, or most anyone else (and truly, the only person in the play he speaks very well of is Horatio), he talks of disease, soil, rot, foulness, and other such metaphors for contagion. For Hamlet, the world dwells in sickness rather than in health, where things are destined to waste away before they bloom into something worth the effort of growth. To take the title of an essay by another 20th century existentialist writer (Miguel de Unamuno), Hamlet has a tragic sense of life.
Life has been many things to many different people, but it would not be difficult to argue that the natural world is unforgiving and that human society tends to be banal, stupid, and cruel. But since most people being banal and doing cruel things are not the ones reflecting sincerely on life, it is the contemplative ones that get struck (and stuck) with the overwhelming sense of life's purposelessness, of life's ultimate trajectory towards tragedy.
To answer my first question, schematically: it is the use of our intelligence, becoming attuned to facts about the world, that then begets in us an emotional state of.... despair? melancholy? malaise? Something like that. Hamlet has it. Camus had it. I probably have it as well. And so....
There grows in souls such as ours a dialectic between thought and feeling that inevitably brings up that fateful question: To be, or not to be?
It's intriguing to me that Hamlet brings up the idea of nobility in the second line of his speech. Most contemporary thought has little to do with the idea of nobility (although Nietzsche is an exception) and I have to admit that it is even somewhat foreign to me - have I ever made a choice because it was the most noble thing to do? I think contemporary discourse still talks about right and wrong, good and bad, ethical and unethical (I think Nietzsche made it impossible to speak of good vs evil in a serious context), but rarely do we think of things as 'noble' or 'ignoble'.
Another intriguing thing is that Hamlet talks of suicide as 'taking arms' and 'opposing' the troubles of existence, whereas we usually think of suicide as a quick escape that does not involve such a monumental struggle. Perhaps Hamlet is here referring to the fact that he intends to avenge his father, though he knows that doing so risks his own death. Or perhaps Hamlet is thinking of 'being' in two different ways: 1) being as merely existing, being 'present' as a fact in the world and 2) 'being' in the sense of living with fullness. In this case, the stoic stance of suffering the outrages of life would be closer to non-being, because one essentially makes oneself a stone, 'dull to all proceedings', a death-in-life. To take arms against life would then be closer to living with a purpose, but such purposiveness, for Hamlet, is what leads all the more quickly to death.
To be continued....
Wednesday, September 30, 2009
Moving Towards Utopia
Having been granted this body and this life of mine, it sometimes feels as if I should do something special with it.
Now, that seems like a bizarre kind of understatement, but here is what I mean:
I have come to certain conclusions about existence, none of which I hold dogmatically.
The first, most fundamental, is what I believe about where we humans came from, the knowledge of which we have a wonderful cadre of scientists to thank for. What evolution shows us is that we are contingent (perhaps frighteningly contingent) beings. Our existence is essentially an accident of the natural world.
From this, it makes sense to say that every world religion arises from poetry. Creative minds have encountered the natural world and given it life, colouring, and significance. They have seen something behind the fabric of the every day sensible world and have attempted to give body to it. They made dances that imitated the movements of the gods; they made paintings of the way the world looked before it was shaped into habitation; they sang songs of the battles that took place between divine ancestors. All this was done, not as a conscious attempt to "give meaning to life", but rather because the world simply did not make sense otherwise. How could one look up at a starry night and see that the positions of what we now call planets had shifted... how could a culture encounter the miracles of birth and death, without trying to understand these things in relation to the human lives that are inextricably tied to them? Poetry (in a very broad sense) is necessary to give shape and form to life.
Most poetic myths include the idea of a god, and because the idea of god has a basis in reality, the concept cannot be ignored when thinking of human existence. Suffice it for now to say that 'god' is a metaphor for ecstasy, power, lawfulness, or perhaps all three. In every culture with an idea of god, the very least condition for something or someone to be a god is that it is not a part of everyday existence. A god cannot be a human who holds a special place of authority in the culture - that is merely a chief. A god must always be beyond. The relation between our every day existence and a god is highly variable between cultures: in some cultures, one may eventually become a god. In other cultures, god is something that can only be experienced after death or perhaps at certain ecstatic moments of earthly existence, but whose presence is too powerful to be endured for more than an 'earth-day'. Other cultures make gods abstractions - so that what is 'Law' or 'Truth' is synonymous with a god, or what is 'Love' or 'Passion' is also synonymous with a god.
This concept 'god' has arisen because of humanity's recognition of three fundamental things: the possibility of ecstasy, the possibility of weakness and death, and the reality of universal concepts. These things require a little unpacking, so I will go slowly here:
Ecstasy:
There are some experiences in life which transcend everyday experience. Dreams, though they happen every night, are part of this kind of transcendence. These states elevate our consciousness in ways that are nearly impossible in normal situations like, say, when we are eating a hamburger (or a veggie burger). Descriptions of such states include ideas of 'ultimate peace', 'pure happiness', 'spiritual calm'. Some states (as in dreams, but also in some unique waking states of mind) might give us hallucinations of flying or transforming, and we may be able to do or see things that we were unable to do or see while we had been in our regular state of mind.
This rough sketch is meant to describe all those states that we may call 'ecstatic'. The main connection between them is their difference from normality, and this difference has often been aligned (especially in ancient times) with the divine difference, which is to say, these states are attributed to divine causes, divine beings, gods themselves.
Mortality:
That we humans are mortal, weak, and ignorant is readily apparent to anyone who is no longer a child. We cannot live forever, we are readily susceptible to harmful changes in our environment, and there is much MUCH about the world (notwithstanding the universe) that we do not know. This has been true of humans to almost the same degree throughout our whole existence (perhaps the latter two are less true now, but not in any important way). Feeling this, it seems inevitable to me that creative humans would project an opposite: beings that are immortal, powerful, and knowledgeable.
What I think is kind of fascinating is that every culture has a different reason for projecting the existence of such beings. For the ancient Greeks, the gods were how you accounted for the hard things in life. You could be tragically ruined like Oedipus Rex simply because you were mortal - the gods seem to be occasions for meditation on this fact, contrasted us not so that we could ever hope to be like them, but to remind us that we could never be like them, and that we should be prepared to face all the hardships of being mortal.
For other cultures, however, these projected beings are given as contrasts that are available to us as sources of hope, inspiration, or wisdom. They are beings with whom we can establish a connection that allows us either the endowment of these opposite qualities or else the possibility of coming into a state of divinity after our mortal life has ended. People ask the gods for strength to succeed in a difficult task or to grant them the wisdom to make the best decision. I think this is done primarily out of a recognition of our own fallibility, and because divine figures have the power of absolution that not even the most respectable human can grant.
Universality:
We have ideas of things that may not necessarily be found in everyday sensuous reality - mathematics is all idea-based, but so are concepts like 'beauty' 'danger', 'love', and 'justice'. We can only find examples of these things in real life, but not the concepts themselves (nor can we ever find a 'perfect' example of one of these concepts, because our idea of perfect beauty or perfect love would always be subjective).
To be a little brief here: we may wonder where these concepts are located if they are in some sense objective (beauty will always be beautiful), but they only ever appear when there are humans around to think them. The natural step is to say that they exist as part of a divine cosmos, or in the case of the Greeks, that they are the gods themselves (so Mars was not only the concept of war (what made all instances of war happen), but war itself (he was the most war-like of all the gods).
I think this is tied in with our feelings of mortality. We have an idea of what is 'right' or 'just' - but we know of no human being who is perfectly just at all times. Yet the concept still exists, and we are consistently able to identify examples of it when they arise before us. The conclusion might then be drawn: there is actually a god who exemplifies Justice itself (along with other universals like Love and Charity), and when humans do the right thing, what they are really doing is obeying this god.
Now...
These are the conditions under which we live. My question is: how do we get from all this to utopia?
Am I making sense yet? Probably not...
What I feel like I understand about the fundamentals of the human world (given above) makes me feel as if I have a select few roles to play.
The first and most obvious is: I can help people better understand these fundamentals. But that only begs the question: what then? So what if people know the truth about existence? The real question is: will they be happy? Or better: was it better that they were born rather than not?
I think we should all try to come to a consensus about the truths of the world. I think it would be great if everyone knew that we evolved from a previous species and that we could explain this process completely naturalistically. But it is not enough to know the origins of our species. We also want to know: what are we supposed to do now that we're here?
Along with teaching wisdom and knowledge (my two very lofty goals), I would also want to make life good for everyone on earth. Which means: I want everyone to be able to experience and create art if they want to. So long as teenagers are shooting each other with weapons in Downtown Oakland, this task is not complete, and I would NOT feel okay with teaching wisdom and knowledge to a group of people who only have access to me because of historical accident. Just because we've arrived here by a contingency doesn't mean we should continue to live based on contingencies. Let's work together to create a utopia that is good for all humans, and then let's worry about aesthetics.
...
Obviously that just blew up into something very grand, but I've realized that my mind and heart will not settle for anything less.
Sunday, September 13, 2009
Update...
My laptop was stolen last Friday (the 4th of September)... And from the University library, too!
How sad the world is. I blame it all on capitalism.
I will be back to blogging as soon as I can get my wits together (and get a new computer)
Love to you all,
Jackie
Tuesday, September 1, 2009
Beginning of a Fable
Marian Briggs strolled in the park and came to a tree which sighed the excesses of its heart. She did not question the cause of his grief, which was, in brief, this: the sights of each day, passing as they did with no regard for him, made such impressions on him that he longed to remember each one, yet his barkish brain could not sustain them all and ended up confusing many a one with many another.
Monday, August 31, 2009
Skit (to come)
I wrote a little skit today with a friend, but he kept the notebook with him, so I shall have to post it at a later date! It reminded me how much I like to make curious characters at an instant. Perhaps some of my problem is trying to write is that I think too much about it, because I don't do so badly when I simply write.
Sunday, August 30, 2009
An Odd Question...
What is the self?
The Oxford English Dictionary says "a permanent subject of successive and varying states of consciousness".
That seems accurate enough, albeit somewhat clinical.
I am me, Jackie, and in my day-to-day living I pass through varying states of consciousness. Happy, sad, ecstatic, mournful.... the possibilities are endless. Sometimes things are as simple as 'I feel hungry... what is the best way to get something both tasty and healthy?' In fact, this is my "state of consciousness" often enough that it sometimes bothers me how pressing an issue it is to my mind. Hmmm.
But that barely begins to tell you about who I am as a person. I guess the question did not ask 'what is your self?' but just 'what is the self in general?' But that isn't very interesting to me. Perhaps that is why I have always been split between reading philosophy and literature - I like to think about large, seemingly profound ideas, but what attracts me most are strong personalities and unique characters.
Romantic Love is Dead
Or, more accurately: romantic love never existed and only now has our culture exhausted its means of retaining the illusion that it ever did.
How did I come to this conclusion?
I was reading Shakespeare earlier in the day and was thinking to myself "Why is it impossible that this sort of poetry with these sort of themes would be written today?"
Think about it: the biggest movie in America right now is "He's Just Not That Into You". What people want most, deep inside, is some great personal accomplishment. A beautiful romance is no longer enough to satisfy someone. There are no more comedies or romantic comedies. None among the many people my age that I know are at all optimistic about the idea of love or marriage or any variation upon the theme. And these are all idealistic, intellectual, soulish, Berkeley students in the humanities and social sciences. Imagine all the other crooks out there who just want to become big business owners. That kind of thinking negates the possibility of ideal love even before the seeds of it begin to grow because of the powerful feelings that accompany sexual attraction, which is what most people mistakingly refer to as 'love'.
Perhaps culture will shift and begin to more distinctly acknowledge the love of family over the love between young couples - Coriolanus will be performed more often than Romeo and Juliet. But such things are difficult, if not impossible, to predict.
People are frighteningly pragmatic in the ways they seek love. For the most part, things go unsaid concerning romantic attraction. When it is brought up, it is reduced to only the basest terms of convenience - 'sex is healthier than not having sex'. Is this really where we have arrived?
An Imagined Dialogue
Charles: Let us go to bed - for I am weary and need sleep and your body close to mine is the only thing that gives me good rest.
if Winter does not penetrate the sheets we share
with cold immuring. But that does not mean
that I will love you when the day breaks.
The sun's light can be raw, sometimes,
and when it breaks upon my eyes and penetrates
through my skin, it may boil and confuse
the things inside me, confound them to patterns new.
Should I be blamed for this? Nature and I -
we have a pact of sorts. I flow and ebb according,
sometimes, to her wishes and vaunts of fancy.
I am tractable, pliant; my days are as lifetimes.
The beauty of my body (if beauty indeed there be)
and the love in my heart (if such passions can so be called)
abides here awhile with you - but the night drones
letting rest what was past, cooling the earth
upon which tomorrow lights fires anew.
Saturday, August 29, 2009
Living Irreligiously
Seeing a gangster-looking man (or man-boy) today at the Indian convenience store/restauraunt grabbing a soda, I noticed him wearing a huge metal cross, made of adamantium, studded with diamonds, rich with the excesses of the West.
And I thought - what does it mean to him that he wears the symbol taken up by Christianity?
But I must make a small note here - something that has bothered me for a few weeks - about what people exactly mean when they talk about Christianity. The tradition that people claim to be a part of is altogether too huge and too amorphous to be anything really coherent in itself. There was Jesus and then St. Paul... but we mostly forget the Gnostics and the Rabbis of the Talmud. In any case, Christianity is a highly 'pick-and-choose' religion, although most of its adherents have their version chosen for them, determined usually by the city they grow up in.
And that is what I also find kind of disgusting about religion(s) in general. It is so obviously culturally based, so obviously passed down from parent/community to child, that it begins to look ridiculous when the rhetoric of 'truth' or 'absolute truth' is thrown around.
Whatever truth may mean (and there is still much to think on concerning what this word means), there is at least one kind of truth that we know very well: that which is applicable on world-wide scale. The law of gravity falls into this category, as does the theory of evolution (or, more specifically, the fact all species now living on earth have evolved from another species that lived in the past). We could add mathematics, certain principles of geology, and many other things. But into this group are never placed things that have been chosen by humans on a cultural basis.
The gowns worn by college graduates are not a 'truth' in this world-wide sense - they are used for a specific ceremony, at a particular time, to commemorate a certain accomplishment. There would be no contention on the part of Americans or Europeans against a culture that uses different ceremonial wear to commemorate the completion of their highest educational curriculum.
Why do some religions, which arose out of a specific culture, time, and for certain historical reasons, then make claims about its world-wide applicability? I don't deny that there can be kinds of moral truths embedded in religious texts and teachings, but I obviously have some great contention with the idea that "No one comes through the Father but by me" from the Gospel of John (which was written some 50 or more years after Jesus' death and is generally not taken as a reliable representation of what the historical Jesus actually said) is something that should be applied world-wide.
What a joke.... I'm not even going to write about this anymore.
Anyway, about this gangster-man that I saw.....
Oh pah! Who knows why he wears what he wears and believes what he believes? I was here going to say that my life might be more intractable because I don't have anything like a god to keep watch over me, but now I realize that I probably have more well-defined thoughts on ethics and morality than do most people who call themselves Christians.
Deep thinking is the most important basis upon which to build a life. Cultural inheritances may come and go, but wisdom stays.
Partie
People get together in college. To chat, to drink, to eat some snacks.
But that choice of words is very important - to chat, not talk.
And with so little opportunity to talk in life, why would a gathering of people so quickly become an excuse to chat rather than talk?
Am I perhaps vapid? Not so... I may not be witty, but I certainly am not vapid. Why then do I find it difficult to chat? I hesitate to say that it might be because I have more profound things to think about, because that is always the easy escape.
I hear the music still going, people still chatting.... what are they even talking about? I am thinking about the last few hours and cannot think of anything anyone said except "What is my favorite superhero?" Well! I said Spider-man because he was always a jokester no matter how serious the situation became. But that was about childhood, and childhood is always memorable, memorial....
I'm actually going to go down right now and see what others have to say and report back to you in a few minutes...
No. I couldn't bring myself to it. I stood up in my chair, decided to change into pajamas and lay in bed instead. 'To die, to sleep, perchance to dream.... Ay, there's the rub..."
Friday, August 28, 2009
New Directions
Here I will actually begin to type up and post my daily journal writings, because I realize that my blog has never been a consistent or true representation of my thoughts. Why not make the blog much more casual, with a theme that doesn't demand only the deepest or most curious things to see the surface of day?
With that simple introduction, I give you my journal entries for today:
(This is the beginnings of a story based on a guy that works at UC Berkeley's "Free Speech Cafe", who is fat, pudgy, irascible, and who seems altogether to hate life. Yet it is not so much a satire of him, as a satire of the world that has created such a docile monster.)
The advent of Juan Güero:
Juan Güero is the disillusioned spirit of our age. He works to no purpose, and what's more, he despises the work itself. Not purpose driven, yet uncaring of the moment, he lives in a perpetual state of transience. His joys are all private: things he does at home which we do not know of, but which do not work to make him less fat. He brushes off all advances made by persons who wish to bring him out of his drudge-like sphere of existence, even when they directly concern him and his office. But what of his office? He does what he does only out of necessity (though some speculate that he does it merely out of spite) and in that hardness of un-purpose he would revile all the world. He is the Last Man, though even if a great responsibility were thrust upon him, he would not take it, for he has no vain ambitions nor delusions of grandeur. even if he were the only man capable or fit for leadership (though I admit this is difficult to imagine), he would shrug off his given crown and go back to filling coffee cups full of their mysterious brine.
Juan Güero calls his own comrades by a variety of slang words; never by their true names. It only so happens that his last name is one of those same slang words he often uses. It was by accident that we were able to discover this and set up an interview with him, pretending that we worked for the university, and needed to speak with him concerning the cultural patterns of Berkeley workers. Here I present to you his narrative recorded on cassette tape, which I have personally transcribed:
My name is Juan Güero. I live now in Berkeley, California, but I was born in Colmo, a small city south of San Fransisco. There is a phrase in Spanish: "es el colmo", which means: "it's a shame". I didn't like it there. My mother whipped me around, and I never saw my father eat anything except beans and beer. He worked as a garbage man; my mother worked at K-Mart. As she always said - it was a colmo to live in Colmo.
(Sorry, this story is too depressing to transcribe! I'll leave the rest to my notebook, unless I find some compelling reason to write the rest...)
Random notes:
What kind of animals are we? Many answers, responses given, but always with the difference - we are not animals as other animals, because we can even ask the question to begin with of what kind of animals we are.
The professor says: The syllabus I've drafted, wafts into your heart..
"Reader, I married him." - Jane Eyre
The immortal soul has exhausted itself (self-conscious models that are not aware of their modelhood) Give me some soul food, for my body is weak... The bifurcation of ourselves, probably spurred on by culture, that is... We appropriate culture and incorporate it into ourselves, but rarely is it the case that we appropriate it fully so that there is no conflict between self and culture. Culture is created to mitigate against the inclemency of some 'bad' selves, though inevitably the rules it creates suppresses some good things about other selves...
To proscribe things in moderation - drink only at celebrations, for example, - creates a taboo against drinking alone or at other inappropriate times, which can be harmful. The idea of human as humane, an ethical being, I think, may be different according to culture, but there is one standard that prevails against all difference, though perhaps not always in respect of the community - one who does what is most difficult is almost always admired, or envied, which is perhaps a better kind of reverence than admiration, since every preacher-man and cheat-skate can inspire base admiration.
"The body changes, but the psyche remains the same..."
To achieve personhood, one must breathe in and out, one must speak purposefully, one must feel sympathy.
Mary is a really beautiful woman, but I don't find her personality attractive at all. Anomalous monism? My heart...
Here I drew a picture of an ostrich:
And next to it wrote:
The Ostrich that ran a thousand and one miles..
He won the race...
but in the effort
lost his mind.
Thursday, July 16, 2009
Defensiveness
I think we are all defensive people, in one way or another.
Defensive against what?
Against pain? Perhaps.
More likely: defensive against disintegration, which is a kind of pain, but one that is rarely encountered because we tend to be very good at defending ourselves against it.
I steal an example from Nietzsche: the ascetic. Who wants to bar his or herself from pleasures, whether they be sexual, sensual, or communal? Only someone who has found that the somewhat turbulent waters that lead to these shores are not worth the rafting.
But this declamation "not worth" is a very peculiar style of thinking. Very rarely do we get the chance to cooly weigh two options and decide which path we shall take by an examination of the pros and cons of each. You know as well as I with what haste we generally make decisions in our hearts, after which we give words to explain the 'reasons' behind the decision, though no real 'reasoning' had been done on the matter.
One who resolves against involving oneself in any pleasure of life has made this decision not because she reasons that she will be 'better off' without taking the risks that are involved, but because she has a primal psychic defense working in her that fears possible dissolution.
Dissolution of what? Of her 'self'.
But what is this 'self', that she should be so afeard of expressing her love for someone or allowing herself to become vulnerable and open to scrutiny in a public situation?
Nobody quite knows why one's 'self' becomes so important during adolescence and thereafter. Children seem to have no problem making a fool of themselves in public, but what is curious - they are almost always regarded with adoration for it.
Have you ever had a child say hello to you in public that you have been too shy to say something back to? I have.
Was it because I feared looking like a child? Not consciously... but perhaps somewhere deep in my psyche I felt that it would have compromised this vague 'self' that I am thinking on now. How could it have? Eyes would have regarded me differently than if I had remained quiet, nobody noticing that I had interacted with this child, and the child's attention itself being soon turned away to something new. Why would I have been reluctant to share in the communal experience offered, here and in so many other instances?
This is a little embarrassing - to think that I tried to write something that would apply to people generally, but which quickly digressed into something purely autobiographical. I think it was inspired by Jane's post on something similar.
There are very little realistic grounds for fear in most social situations. Why, then, are they so difficult to overcome? Standards of maturity seem to have stifled us. Is maturity always had be the relinquishing of freedoms we had as a child, freedom to say, do, or think certain questionable things? Is there a kind of maturity that can be well blended with the vivacity, freedom, and trust that we find in children?
Am I thinking about the question all wrong?
Tuesday, July 14, 2009
Time to Think
Are all questions about human life really solved?
Have I really become that insane? To think that there is nothing left to think?
In 3,000 years of recorded history, has humankind given us any reason to think that we will one day live in a utopia of harmony and happiness? I don't think so. There will always be some creep who will mess it up because he was selfish.
So what are my life goals, having this axiom in mind? I want to reach out to the people I think are beautiful --- not in body, but in spirit.
Monday, July 13, 2009
Thoughts and Thoughts
I am a little paranoid after reading some of my poems today and realizing how dark and insane they sound.
That love poem I posted was a bit of a change (at least it's in iambic pentameter) BUT!
Does anyone understand what I am saying anymore? Sometimes I'm afraid that I am just speaking nonsense to myself and imagining that it is something profound (the first sign of insanity).
I don't mean 'does anyone find me intelligible anymore?' but 'Am I someone who people can look up to as a model of diligence, intelligence, and munificence?'
Okay, I'm kind of joking --- BUT!
Last night I dreamt that Barack Obama, Hilary Clinton, and a close friend of mine died. Robert Hass (former poet laureate and professor at Berkeley) did a memorial speech, but was so outraged against life for the death of Obama that he smashed a bunch of flowers against the podium and collapsed.
Harold Bloom says something like this about outrage: moments of outrage constitute the steps on the way towards death, which cannot be faced adequately. A justification for life must be invented while in the midst of such outrages.
A justification for life? I seemed to have lost a serious one a while ago.
Was it the drugs or was it that Rhetoric class I took with that Heideggerian woman that so confuzzled me?
Let me speak plainly: the only thing I am working on right now is a fantasy novel. I enjoy creating a narrative out of these many romantic images I have had in my head for some time.
Monday, July 6, 2009
A Love Poem
For the birds in summer have not yet calmed
for my heart bids itself rise up and speak
no more. Every day a cherished excess
rides away from me as the broken stork
had done that night on the canal, when I,
I, bent my head to yours and whispered dream
words like etchings on a sandbox ditched
on the beach, scrawled hard into the plastic
by the millioned debris of boulders
too huge to fathom as they first stood
in the early days of the earth, and strewn
with lava. There did my un-agony prevail
and I fell for you again. As always.
And your music stays with me forever.
Wednesday, July 1, 2009
Stories from around the World
Since it is a habit of mine to search in google for random phrases in quotes that come to my head (examples include: "My husband is a patriot", "OMG I love Shakespeare", and "Onan is my hero") and since I generally find results on people's blogs, personal websites, and forum posts that reveal strikingly honest and human outpourings of thought and feeling, I thought it would be meet to document some of these on my blog.
Here is "Twinkle Toes" a "Ballroom Diva" from La Quinta, CA who I found when searching for "child seeing someone die" (without quotes this time - I was doing some research on how children see death):
I had never lost anyone I was particularly close to and when someone I knew died it really didn't affect me too much because I wasn't close to them. However, when my brother was hit head on and killed by a guy passing people over double yellow lines on a curve, it really affected me. To this day it still affects me. I miss him so much. There really aren't any words that can describe how much I miss him. The other thing is when I see my other brother or my parents struggling with his death, that hurts too. But we do have some hope because of our faith. We absolutely believe we will see him again some day, so even though we are heartbroken and desperately sad because he is gone from this Earth and we can't see him here anymore, we know that this is only temporary.
Thursday, May 28, 2009
Calvary
The chasm of sleep opened in me,
in the dark, in the night,
and, perlious to face the day,
my feet spoke upon the floor
of sweat and dust and unread mysteries
flying from the crop of my tousled head,
heeding something feint, out of sight -
that gather there in the distance, squawked
of tongues labile in the service courtier.
Blue moons tangential to the fact,
the plain fact, of the hours closing upon
night. And the rest followed swiftly...
Daybreak come unto the fierce maylay
walking, soldering buss to buss,
wanderers walking in flirtation with
Christ, and an abominable sentence veered...
What wayward mischief! What sounds merrily made!
I heard a thousand voices that morning,
rummaging through the buckets of their Mage
to discover - what? Fancy's vain enterprise,
a couple of bucks spent on mustard and rye,
and we pass too simply into the muster of everything...
in the dark, in the night,
and, perlious to face the day,
my feet spoke upon the floor
of sweat and dust and unread mysteries
flying from the crop of my tousled head,
heeding something feint, out of sight -
that gather there in the distance, squawked
of tongues labile in the service courtier.
Blue moons tangential to the fact,
the plain fact, of the hours closing upon
night. And the rest followed swiftly...
Daybreak come unto the fierce maylay
walking, soldering buss to buss,
wanderers walking in flirtation with
Christ, and an abominable sentence veered...
What wayward mischief! What sounds merrily made!
I heard a thousand voices that morning,
rummaging through the buckets of their Mage
to discover - what? Fancy's vain enterprise,
a couple of bucks spent on mustard and rye,
and we pass too simply into the muster of everything...
Monday, May 18, 2009
Disconnextion at the Heart of Lecture Time
The tortured skulls laying across the plains of Perú-
The public sphere is the place of authority
(Barbarism as authority, authority as barbarism)
Anthropology is the study of man (or so it says)
The original language is the primal feeling.
The heart that dug a ground into itself
made choices for the flowers that would grow
from the soil there (and music vivified)
We agree to dee illusion (who wouldn't,
given the time and the hour?)
A make-piece of gregarious warbling
too tight skin on the face of a father
Capitalism and art, hopelessly romantic
Why tinge entropy with belated draughts?
Simple places happily nodding the new.
About the idea of mythology -
poetic misprision of the thicke soupe of life
quandaries like buzz-buzz hee
generating more impossibilities
experimental impulses
exceed the established calculation
of indigenous indignation.
History is (mostly) the past
a realism that really
gets to what happens.
Once you learn
what's there
you can't help
but learn from it.
Grandpa plays with the aesthetic understanding of history.
like a groove in time
that shimmers and shimmers and gleams
and takes it all in time.
We, who are so drawn to daily loves
the workings of a daytime, the after-scent
of a minute, fair woman, do not
decide now, in the heat of such abysm
wakening the dark sense that wickens
the hour, the too interperturbable
flame.
If I knew the worlds you saw today
orbiting round placid myth,
I don't want to make it what you would do
next. Textual sumptuous life of the senses.
What's dead in the breast erupts in words
What's alive in the breast
oh,
bursts out in deeds.
[I know I am obsessed with using the word 'heart', but until I can say what I need to say, it shall remain. This is another lecture-note poem that is rather tortured]
Friday, May 15, 2009
Maternal Advice
It is said: Live every day like your last.
This is a difficult thing to do when one is a poor university student who, were she to part from earth this day, would leave behind her only a meagre trail of essays written in a style she cannot call her own, written for people whom she does not know.
Wednesday, May 13, 2009
Please, pashah, engaomble me
Fierce lingering deeds/Padding over gloss eyes/amalgamate window
Yes?
amalgamate window where looked through dog
pompeii in his doggy heart
analytical eyes in turpid brinca
dog looking through the window: he is victory
a piece of sending
like a card
or a leaf
made it to my papa
grumble-meat
[Perhaps the most bizzarre thing about this post is that I actually wrote that stanza before I found that picture of the dog. Brinca is a Spanish word that means "to jump around" with connotations of the kind of jumping that children or dogs would do when they run amok.]
Sunday, April 19, 2009
holy of holies
The holiest night of the year. What should I do? I will worship myself. The love of all life comes down to this moment: fair worship, fair love, all continuing my unbidden way.
If the master sits down before us and says: What shall we do today?
It is our responsibility to reply to her: We shall be free.
Free from what?
Free from the riders on the main of the tempests inside us.
The globe turned in circles around an axis of boredom: calumniate fierce prodigy.
That welt on my leg -- was a dog's fault. Now, get me some blueberries. I look at a woman I see a woman I am what I be I make dirt spin from the wheels of my motorcycle I am candle light OH sweet islands of the Philippines ---
Hello.
Doris.
Yes?
Winter.
Yes?
Fire.
Yes?
Wait.
Well?
We we we we we.....
You and I?
We terminate.
Dolores, por favor, Dolores, no.
The castle was broken. Finch on my arm. The castle was broken and BOOM - a tour guide appeared.
[singing]
Traveled in France, traveled in Italy, traveled in scenic Greece. Ate every apricot that was ever born and swaddled the foundling geese. When shall we be gone? Long away? When shall we be fond? Of the day? Of the day?
[stop singing]
Where appears the epistle: oh grand turbulence!
No more attack me, fair world, I come only to anoint thee for thy passing---
Passing through the air, master-main. Grimble-grumble-gamble-stap--- cord hallowed finger touch, a long passing murmur through the veins of
G o d
G_D
god
goad
Let be.
Merriment.
I walked through the night, carrying bags of myself, in dress all participation.
I walked through the night, carrying excesses of myself, wandering each hallowed lane
that imagination thought up and let falter my way, oh my
tremulous way.
Saturday, April 18, 2009
The Choice
What is life but the choice and conduct of one's keeping between these two poles?
Hector: Mine honour keeps the weather of my fate.
Life every many holds dear, but the dear man
holds honour far more precious dear than life.
- Troilus and Cressida, V.iii
Falstaff: What is honour? A word. What is in that word honour? What is that honour? Air - a trim reckoning! Who hath it? He that died a Wednesday. Doth he feel it? No. Doth he hear it? No. 'Tis insensible then? Yea, to the dead. But will it not live with the living? No. Why? Detraction will not suffer it.
- Henry IV Part 2, V.i
Wednesday, April 1, 2009
Tenement
Prelude, to be read along with "Heaven Knows I'm Miserable Now" by The Smiths
The broken music sounding the ears of her mother, who howled daily in some kind of martyr insanity. Her father had made a banal pilgrimage to Home Depot to look at the gardening section, where he asked many questions about seasonality, fertilizer, and placement in relation to the sun (If you put the plant to the Northeast, where light comes in the morning, but there is not a single window to the west, where the afternoon light comes streaming in, how do you think it would keep up? I don't mean live, if it will Survive, 'cause it will Survive, I just mean how will it keep up). Her brother was out stomping around the undeveloped fields, looking for plastic pipes to play seebee-seebee with. Therefore: she was alone.
As the light darkened, Catherine took another piece of chicken from the refrigerator. It was dry in her mouth, but still tasty, cilantro-laced as it was. She had changed the track that had been playing the broken music on her mother's CD player. She had considered leaving it be, knowing that her mother would not know the difference, but her conscience denied her this cruelty. To abuse an idiot with impunity was a basic privilege of being human and being sane, denied to Catherine, who took delight in that animal privilege instead - in eating a cold piece of chicken.
Working Heart, to be read along with "There Is a Light That Never Goes Out"
"Life hurts," someone said on the television. "Yea, it does," I replied. "What's there to be done about it?" The television continued to blabble, and changed into an image of tanks exploding. "Yes, that's where I'll never be."
My father walked in the house like some big bear - "Hey, kiddo. What're you doing?"
"Nothing"
"Oh, yeah?" and he walked to deposit his coat into the cardboard box near the staircase kept for the purpose.
"How was Home Depot?"
"Oh great youknow. Met a lot of people there. Got a couple of Hydrangeas. Nice, they're nice flowers."
"Cool, dad."
"Yeah, it was pretty cool. Haha. I think I like the stores in this place. Real friendly people, youknow."
"Yeah."
He was over at the refrigerator by now, opening it and taking out the chicken. No hesitation on his part.
"Do you think I can go on a date later tonight?"
Dad looked up from his meat, wide-eyed. "Oh, ah, yeah sure honey. Uh, is he going to come here?"
"No." (Heteronormative assumptions made by such a man as my father)
"Oh okay. Yeah sure. Yeah, uh, do you need any money?"
I sincerely did not know the answer to this question.
"Um, I have like 10 dollars."
"Yeah, well ah, here," and he walked over to the cardboard box by the door to get his wallet from his coat.
I waited upon the couch, like a bird. There's a certain providence in the fall of a sparrow... So said the Danish Prince, Hamlet, minutes before he died.
I stepped down from my perch when my dad returned and stood to meet him. He approached, holding out to me, printed on a green piece of paper, that otherwise loathsome face of President Jackson, the Indian queller.
"Thank you."
"Hey youknow as long as you have a good time, as long as you have fun."
We will be singing upon the bears that move up and down by a mechanism that comes alive for fifty seconds every time a quarter is dropped in the slot, indiscriminate as to whether the quarter was dropped by a bald fatso nearing fifty or a timid boy ladled along by a timid mother to try the thing that beckons him in a foreign tongue to ride ride hop aboard, those bears and horses and race cars that I cried once to look upon when I was eleven years old because they represented to me the greatest poverty, the pleasure not simple enough to be inoffensive, the intent and purpose so ambiguous as to cast shame on the parent who placates the child and gives him an excuse to be happy when no excuse was needed before the boredom of marching through horribly-fluorescent grocery store aisles shuddered him; we will sing upon the boars and elephants, learning to laugh, slowly so, but learning still.
I said nothing of this. I only trailed my eyes across his face and accepted the green paper into my hand where it crackled first and crackled again as it ventured into my pocket.
The broken music sounding the ears of her mother, who howled daily in some kind of martyr insanity. Her father had made a banal pilgrimage to Home Depot to look at the gardening section, where he asked many questions about seasonality, fertilizer, and placement in relation to the sun (If you put the plant to the Northeast, where light comes in the morning, but there is not a single window to the west, where the afternoon light comes streaming in, how do you think it would keep up? I don't mean live, if it will Survive, 'cause it will Survive, I just mean how will it keep up). Her brother was out stomping around the undeveloped fields, looking for plastic pipes to play seebee-seebee with. Therefore: she was alone.
As the light darkened, Catherine took another piece of chicken from the refrigerator. It was dry in her mouth, but still tasty, cilantro-laced as it was. She had changed the track that had been playing the broken music on her mother's CD player. She had considered leaving it be, knowing that her mother would not know the difference, but her conscience denied her this cruelty. To abuse an idiot with impunity was a basic privilege of being human and being sane, denied to Catherine, who took delight in that animal privilege instead - in eating a cold piece of chicken.
Working Heart, to be read along with "There Is a Light That Never Goes Out"
"Life hurts," someone said on the television. "Yea, it does," I replied. "What's there to be done about it?" The television continued to blabble, and changed into an image of tanks exploding. "Yes, that's where I'll never be."
My father walked in the house like some big bear - "Hey, kiddo. What're you doing?"
"Nothing"
"Oh, yeah?" and he walked to deposit his coat into the cardboard box near the staircase kept for the purpose.
"How was Home Depot?"
"Oh great youknow. Met a lot of people there. Got a couple of Hydrangeas. Nice, they're nice flowers."
"Cool, dad."
"Yeah, it was pretty cool. Haha. I think I like the stores in this place. Real friendly people, youknow."
"Yeah."
He was over at the refrigerator by now, opening it and taking out the chicken. No hesitation on his part.
"Do you think I can go on a date later tonight?"
Dad looked up from his meat, wide-eyed. "Oh, ah, yeah sure honey. Uh, is he going to come here?"
"No." (Heteronormative assumptions made by such a man as my father)
"Oh okay. Yeah sure. Yeah, uh, do you need any money?"
I sincerely did not know the answer to this question.
"Um, I have like 10 dollars."
"Yeah, well ah, here," and he walked over to the cardboard box by the door to get his wallet from his coat.
I waited upon the couch, like a bird. There's a certain providence in the fall of a sparrow... So said the Danish Prince, Hamlet, minutes before he died.
I stepped down from my perch when my dad returned and stood to meet him. He approached, holding out to me, printed on a green piece of paper, that otherwise loathsome face of President Jackson, the Indian queller.
"Thank you."
"Hey youknow as long as you have a good time, as long as you have fun."
We will be singing upon the bears that move up and down by a mechanism that comes alive for fifty seconds every time a quarter is dropped in the slot, indiscriminate as to whether the quarter was dropped by a bald fatso nearing fifty or a timid boy ladled along by a timid mother to try the thing that beckons him in a foreign tongue to ride ride hop aboard, those bears and horses and race cars that I cried once to look upon when I was eleven years old because they represented to me the greatest poverty, the pleasure not simple enough to be inoffensive, the intent and purpose so ambiguous as to cast shame on the parent who placates the child and gives him an excuse to be happy when no excuse was needed before the boredom of marching through horribly-fluorescent grocery store aisles shuddered him; we will sing upon the boars and elephants, learning to laugh, slowly so, but learning still.
I said nothing of this. I only trailed my eyes across his face and accepted the green paper into my hand where it crackled first and crackled again as it ventured into my pocket.
Our Guilt for Living
We are left with a world of isolation:
the fragmentation of our hearts
is a dirty mirror smashed.
Reflected in that mirror
was a face like ghost-something,
who sung a dirge for life itself.
Cadances slow and monumental
like a burnéd toast.
From one mind to another-
though remote from each,
we deliminate our hearts.
The spark in me, in you,
muddied over with calumny-
calumny - that eternal word.
We give offerings to life
and hold back life itself.
The gesture itself signifies
(a bug flying through the air).
Bitter and burning we walk
consoling ourselves with religion
(an alternative for love).
[I wrote this in my 20th century literature class, mixing in quotes from the professor with my own words... the original was much longer than what I have here.}
the fragmentation of our hearts
is a dirty mirror smashed.
Reflected in that mirror
was a face like ghost-something,
who sung a dirge for life itself.
Cadances slow and monumental
like a burnéd toast.
From one mind to another-
though remote from each,
we deliminate our hearts.
The spark in me, in you,
muddied over with calumny-
calumny - that eternal word.
We give offerings to life
and hold back life itself.
The gesture itself signifies
(a bug flying through the air).
Bitter and burning we walk
consoling ourselves with religion
(an alternative for love).
[I wrote this in my 20th century literature class, mixing in quotes from the professor with my own words... the original was much longer than what I have here.}
Saturday, March 28, 2009
Festival On a Hill
I was driven in a coach up the corridors of the mountain by an Arab who thicked his hair all around. He spoke to me indecorously as I wandered thru the park, welling pools into the homes of ants, feigning a docent heart. I stepped into his coach, a new broiling sun scorching the seats of me, and waited for troubles to begin.
Tuesday, March 17, 2009
Pettiness (really sloppy first draft)
My questions for today are: what is petty? What is considered petty? What do we think of as petty? Who do we think of as petty?
But before I think about that, I should also ask, why do I focus on pettiness?
The feeling that life amounts to something for us as a single consciousness is what keeps people alive and moving in 21st century modern industrialized world. This may have not always been the case, but I think a fairly strong argument could be made that most people living right now have an underlying sentiment that the lives they are leading are meaningful in some way.
Now, what is interesting is what happens when people think consciously about this question of meaning or significance: most people who legitimately scrutinized their lives and tried to 'measure' its significance would probably find it lacking, even if at the cosmic level (i.e. we are only species on a lonely planet bound to die out before we find a way to inhabit other planets).
From this it looks as if significance cannot be a measurable thing; it has to be a thing felt continually and felt subconsciously. Perhaps something of this feeling of granting significance is inherent in our 'human nature' (and perhaps it isn't so much that we grant significance to things as it is that we are granted the feeling of significance when we interact with our world). If it is part of our nature to be granted the feeling of significance or satisfaction as we live our lives in communication with others, with nature, and with art, then how is it possible that this feeling of significance or meaningfulness can ever be lost?
Perhaps part of the way we allow significance to draw itself into us and give us energy to get through our days is by constructing patterns. Without a pattern with which to understand reality, this reality floods into us as pure chaos and we cannot feel the significance of, say, eating an apple or petting a dog.
But very few experiences register as pure chaos - or do very many? I don't know! How is it possible that something like petting a dog is simply not understood? Insanity has to be the inability to create any meaningful patterns, while something functional yet debilitating is the kind of patterns that people create who feel a void of significance in their lives.
But before I think about that, I should also ask, why do I focus on pettiness?
The feeling that life amounts to something for us as a single consciousness is what keeps people alive and moving in 21st century modern industrialized world. This may have not always been the case, but I think a fairly strong argument could be made that most people living right now have an underlying sentiment that the lives they are leading are meaningful in some way.
Now, what is interesting is what happens when people think consciously about this question of meaning or significance: most people who legitimately scrutinized their lives and tried to 'measure' its significance would probably find it lacking, even if at the cosmic level (i.e. we are only species on a lonely planet bound to die out before we find a way to inhabit other planets).
From this it looks as if significance cannot be a measurable thing; it has to be a thing felt continually and felt subconsciously. Perhaps something of this feeling of granting significance is inherent in our 'human nature' (and perhaps it isn't so much that we grant significance to things as it is that we are granted the feeling of significance when we interact with our world). If it is part of our nature to be granted the feeling of significance or satisfaction as we live our lives in communication with others, with nature, and with art, then how is it possible that this feeling of significance or meaningfulness can ever be lost?
Perhaps part of the way we allow significance to draw itself into us and give us energy to get through our days is by constructing patterns. Without a pattern with which to understand reality, this reality floods into us as pure chaos and we cannot feel the significance of, say, eating an apple or petting a dog.
But very few experiences register as pure chaos - or do very many? I don't know! How is it possible that something like petting a dog is simply not understood? Insanity has to be the inability to create any meaningful patterns, while something functional yet debilitating is the kind of patterns that people create who feel a void of significance in their lives.
Being communal animals, we naturally feel good when we have positive interactions with other human beings. None of us likes to feel excluded - cliques form more out of fear than anything else.
My personal interpolation in this is that I feel like a lot of boundaries that I once thought were very real between people I now think are very artificial constructions. In America, 'class' has for a long time been a bygone category - perhaps in no other country in the world does class matter so little as in the United States. In presidential campaigns, the story that one has come from a regular working class background is actually very appealing (in this case then, perhaps class still does matter in America, but certainly in a different way than it matters in France or England). Among educated people, racism has also long been debunked. The most recent movement to debunk artificial boundaries is the wonderfully vital queer/feminist movement to erase all culturally based, inherited, and ultimately arbitrary distinctions between males and females.
So what other boundaries do I now think are imaginary? The distinction between intellectuals and non-intellectuals, the distinction between introverts and extroverts, the distinction between religious and non-religious, the distinction between philosophers and poets, are examples of just a few among many others.
This is not to say that I think that such things as natural talents and natural dispositions do not exist: I know that I will never be able to act like Kate Winslett or sing like Feist. Yet I now think, to a greater extent than ever before, that we are very largely self-created. More accurately, we are very largely created by our immediate 'cultures' (parents, friends, city, county, state, country, historical era, geographic location...) and we continue on blossoming as this already-created person and at the same time use our intrapersonal and interpersonal abilities to reflect on who we are and make decisions to change those aspects of ourselves that don't fit into our ideal self-image.
Now, supposing that this is an accurate description of what we are all actively doing (from the age of 13 or so), how does the question of significance fit into it? What I have just called our 'ideal self-image' (though I admit that is a very weird phrase) is significant in itself, because we trust our imaginations enough to feel that we have an ability to imagine a state of being that is worth working towards and worth persisting in once we have achieved at least some semblance of it.
Where does our imagination get the soil for this projected ideal self? From ourself, of course, but we get our 'selves' from our culture. Culture accounts for nature in various ways: it ascribes significance to natural facts that we might still be able to understand without culture (a boy raised in the forest by wolves wouldn't experience complete chaos), but which immensely conditions our psychology when we grow up within that culture.
Sex, for example, is hard to see as a very neutral thing - certainly less neutral for humans than, say, sharing food - but culture can reduce its significance level to a great degree. Someone who grew up in a secular home where the parents talked openly about sex with their children and who didn't mind if they had premarital sex would generally ascribe a lower level of significance to sex than someone raised in a orthodox Jewish home where one is expected only to have sex with one's husband or wife and where married adult males are not allowed to even give a handshake to any other non-familial females. While even a touch on the arm is charged with sexual significance for the orthodox Jew, someone raised in the secular household might actually feel a kiss to be less sexually significant than the Jew would feel like a hug would be.
I don't think many distinctions between people are real in any meaningful way, but on a practical level, I also think that many people who were raised in very different cultures are simply incompatible with one another. I also think that they are incompatible to the degree that it would take more difficult adjustment of their sense of self than they would like to (or should) take the time to change.
The literary distinction between style and voice may be interesting to invoke here: we imagine that an author has a distinct voice that speaks consistently in all her works, though the style of each individual work may change and change drastically. Thus we might say that some people listen to the same voice or hear the same calling, and even though they have grown up in very different cultures and thus have very different styles, they might be very compatible at a very fundamental level. Changing their cultural self in order to be more compatible with this person might then be well worth the time and effort.
Does this actually happen, though? We may like to think it is true of our favorite ancient or modern but long dead authors, yet even if we very much like their work, how do we know that we would have been able to cross our cultural divides and enjoy spending time with them as a friend?
The distinction between our vocative self and our cultural self may be completely fanciful - a simplification of a phenomenon too complexly layered to be understood as a coherent whole. In any case, we find people that we are more compatible with than others and become close with them. This does not mean that we do not also want companionship with and acceptance by those who are evidently different than us - but sometimes fear prevents this connection from forming, either because fear begets disingenuousness or because fear raises up walls of resistance.
Exclusion is necessary to living a functional life - we can't be best friends with everyone. Yet when exclusion is the result of an emotionally charged and very deliberate decision, we have reason to be suspicious of why that exclusion was made. This applies also to unnecessary distinctions being made between things (and why I am trying to really question my assumptions about differences between things).
Would it be a great threat to our critical faculties if we tended to distinguish less between things? I am not sure - it doesn't seem so to me, but I have no real authority to say. All I want to get rid of are the very emotionally charged exclusions, that is, exclusions not made on the basis of our reason. We rightly exclude '2+2=5' and 'free-market capitalism is the best economic policy' because our reason tells us that they are not true, but we may exclude some new experience or curious personage from the range of our respect because we simply don't understand what their significance is for us.
Significance is very easy to grasp: hold the hand of anyone that you feel close enough to do this with. Significance is already there - there is no need to create it or invent it. But what about the patterns I spoke of earlier? Things are really just as simple as holding hands, but sometimes our patterns or ways of seeing things get in the way of the simplicity of that moment - as in the case of the orthodox Jew, who could not hold hands with someone outside his family without attaching some sexual and taboo significance to that act.
Let's think of all the things that humans naturally do:
gather food together
eat meals together
sleep together
dance/sing together
have sex with one another
show non-sexual physical or verbal affection for one another
share things with each other
help each other
give birth
say goodbye (burial rites)
These are what I was able to think of - any suggestions are more than welcome. Now, every culture does all these things in a different way. They also give different kinds of significance to each of these things.
My ideal culture would be a very communal culture where we knew all the people that we did these things with and they included more people than just our immediate family. It would also attach a very low significance to each of these things.
Now, this is my thesis: contrary to what some religious people think, lowering the cultural significance of each of these things is actually the key to allowing them to have the MOST significance, because all the significance would be given to us by the thing itself rather than by our interpretation of it. I think by attaching too much cultural significance to these things makes them taboo in a way that creates problems for people.
Now, what is petty?
Pettiness seems to me to be disrespecting one's culture and one's sense of what is ethically right for the sake of personal desires. Rape is the ultimate pettiness because a man's desires for sexual pleasure not only violate cultural standards of behavior, but actually violate the body and being of another fellow human.
Religious people have worked to fight against pettiness - and it has been a fight very praiseworthy in its intent. But its solution was to infuse things with extreme significance so that something like rape would actually feel like a divine violation along with a human violation (no one ever really feels ethical violations unless they are ingrained in cultural valuations).
The time has come to move into a new phase of moral understanding. We must reduce the spiritual significance of things to almost nothing, but simultaneously bring back the communal aspect of culture that we have lost. If we came to a point where we can hug and hold ten different people a day even for a few minutes, we would have all the significance that we could ever want.